This is an Australian movie from the 70s, "lost" due to its depiction of the male dominated culture of Australia, which while embraced by international audiences, faded at the Australian box office. It re-screened at Cannes a few years ago (where it also won a prize in 1971) and is only one of two films to screen at Cannes twice in that festival's history. The film stars actors mostly unknown to me, except Jack Thompson in his first screen role, and Donald Pleasance, although the other actors are apparently well known in Australia.
It concerns a young British teacher, John (Gary Bond), who is kind of in servitude--teachers have to pay a sort of bond for their jobs, to prevent them from abandoning the job since the outback locations are pretty desolate and isolating. During the Christmas break from school, John tries to travel home to spend time with his girlfriend, but since he has no substantial money, ends up stranded in a small town nicknamed the Yabba, where he had planned to travel on to Sydney. In Yabba, he meets several locals here, including a policeman (Chips Rafferty) who buys him drinks then introduces him to a gambling game, an English doctor with shady methods who finds the Aussies are less discerning about his credentials (Pleasance), and a man who buys him a drink (Al Thomas) and takes him home where John and he spend time with his friends (including Thompson), and, other than John, ignores his wife (Sylvia Kay, the director's wife at the time).
At first John does try halfheartedly to get home, but his degeneration into drinking, gambling, and other male pursuits leads to a week of near-insanity. At the end of it John rejoins "civilized society" but we question what has changed in him now.
Friday, March 15, 2013
Wednesday, March 13, 2013
Past seven days
It's been a pretty good movie week! You'd think I don't have a 9-5 job with the amount of movies I watch.
Asylum
Berberian Sound Studio
Cloudburst
Dead Man Down
In Time
The Incredible Burt Wonderstone
Midnight Son
The Miracle of Life
Mushrooming
Oma & Bella
The Other Side of the Mountain
Piazza Fontana: The Italian Conspiracy
The Silence

Berberian Sound Studio
Cloudburst
Dead Man Down
In Time
The Incredible Burt Wonderstone
Midnight Son
The Miracle of Life
Mushrooming
Oma & Bella
The Other Side of the Mountain
Piazza Fontana: The Italian Conspiracy
The Silence
Thursday, March 7, 2013
Free: Peace on Earth Film Festival
The Peace on Earth Film Festival starts today. I believe all screenings are free. This fest attempts to bring social issues to a broader audience. Check out their blog. I hope to catch one or two as my schedule permits.
Wednesday, March 6, 2013
Thirst For Love
This Japanese drama is from the 1960s. It is based on a book.
Etsuko is a young widow who lives in her father-in-law's home. I'm not sure if it is due to Japanese customs or something specific to this family, but Etsuko is her father-in-law's mistress and he hopes he can produce another direct male heir to continue the family line, as his first and surviving son is impotent; another child is a daughter with a son but he is not considered a direct line male heir.
We see Etsuko is numb to her existence, not reacting when her father-in-law makes advances on her--for her it is a duty to be endured more than anything else. One day she sees their young gardener Saburo watching her, but he claims he was innocently gazing on her, and not the sexual spying she subversively accuses of him of even though she herself was gazing on a naked statue and probably having sexual thoughts.
She continues to pursue Saburo in this way, not openly saying things, but always suggestive with her words which could also be interpreted innocently. Saburo is quite indifferent (or he appears to be) but when Etsuko faints when he is killing a chicken, he tries to revive her and while he is close to her body we get a sense that he has repressed sexual feelings for her (or perhaps he is a bit randy). When the family maid comes upon him he reverts back to his innocent behavior of reviving Etsuko.
Meanwhile, the rest of the family also is becoming aware of the different facets of Etsuko's situation, although they kind of accept how things are going--they accept that Etsuko is expected to produce an heir but don't really like the importance the father places on her. It seems there is a lot unsaid in this family, like the empty seat at the family dinner table that signifies the place that would have been taken by the dead son.
Past seven days
Subscribe to:
Posts (Atom)