Tuesday, August 30, 2011

Scott Pilgrim vs. The World

My initial assessment of Scott Pilgrim vs. the World was short but not very sweet: "Scott Pilgrim has ADHD. Cute but doesn't stop often with the comic book/video game action."

Since then I have watched it on DVD, going through four commentary tracks and one trivia track and an additional screening (so that's seven times I've watched this movie), and have gained a new appreciation for the work that went into this film, much of which goes unnoticed.

Meet: Kartemquin Films

Do you remember Hoop Dreams? It was one of the most critically lauded documentaries of 1994 but ignored at the Oscars (it was nominated for Editing). The film was produced by Kartemquin Films, a Chicago documentary filmhouse who is celebrating a 45th anniversary.

One of their newest films going around to theatres now is The Interrupters. The Interrupters is about people who try to break the cycle of violence before it happens, by trying to connect with people at risk for committing violent crime. It played to sold out shows and had added even more screenings at the Gene Siskel Film Center, and was made by the same director who did Hoop Dreams, Steve James. James has a long relationship with Kartemquin, having collaborated on at least four films with them (Hoop Dreams, Stevie, At the Death House Door and The Interrupters).

Several of Kartemquin's films have played on PBS this year, with The Interrupters being broadcast sometime in 2012.  Kartemquin is able to find many local stories with social issues and characters that many of us can identify with.  Check out some of these other films available on DVD:


Monday, August 29, 2011

Past seven days

A bout of bronchitis so I didn't post my Past Seven Days list last week. But I did catch up on some movie watching, here is what I saw:

Crazy, Stupid Love
Captain America
Devil
Fright Night (2011)
Oyster Girl
Scott Pilgrim vs. The World
The Camera Murderer
The Guard
The Warrior's Way

Tuesday, August 23, 2011

The Guard

Many reviews of The Guard make note of the odd couple relationship of its two lead characters played by Brendan Gleeson and Don Cheadle (Cheadle co-produced). It is called "The Guard" for a reason--and not "The Guard and the FBI Agent." At heart The Guard is a character film of Gleeson's Gerry Boyle, a Connemarra policeman, and the pride he has for his community and himself, to the point of disregarding other things that to you and me would seem more important.

Saturday, August 20, 2011

Muppets!

copyright Disney/Muppets Holding Company, LLC.
I am really excited about the new Muppets film that is coming out soon.  Knowing a true fan, actor Jason Segel, has a big hand in it is a plus (who can forget "Dracula's Lament" from Forgetting Sarah Marshall!), although my excitement is tempered by the addition of Amy Adams, who I think has overplayed her innocent/naive character. 

Although the looks of some of the classic muppet characters seem to be brightened up too much and voices previously done by Jim Hensen and Frank Oz has lost some of their spark, I hope this revival will be just that and spark another generation to know and love the witty humor that is the Muppets!

Here are a couple fun things you might enjoy:

A Jim Henson based museum exhibit is currently showing in New York City.  I was fortunate to catch this in Chicago, although the New York show has additional events (Henson's workshop was based in NYC).

Disney, who owns the majority of the Muppet characters (i.e, anything not Sesame Street), commissioned new musical artists to cover classic Muppet songs to help promote the upcoming film.  Some like Mahna Mahna don't vary from the original, but I really like Ok Go's rendition of The Muppet Show Theme and Alkaline Trio's new beat on Movin' RIght Along.

Being Elmo: A Puppeteer's Journey is going around to various art theatre houses right now.  It profiles Kevin Clash, who puppets/voices the very popular character Elmo.

Ondine

A modern day selkie (seal maiden) fairy tale, starring Colin Farrell, an Ireland based story directed and written by Neil Jordan.

The film gets quickly underway as Syracuse (Farrell; nicknamed Circus for his drunken bad boy past, and a play on his name) in his fishing trawler hauls up a beautiful young woman in his net. Bewildered, he is unable to turn her over to the hospital when she pleads for anonymity and help. He puts her up in an isolated island cottage that belonged to his dead mother.


Hamlet (2009)

Having seen David Tennant in the recent new Fright Night reminded me of this performance. It's a pretty good version of Hamlet and he takes the title role. He's supported by Patrick Stewart, Pennie Downey, Oliver Ford Davies and Mariah Gale.


Fright Night (2011)

This update of the 1980s film certainly lets us know its modern hipness by, like many vampire films and other projects, making fun of the Twilight movie and book franchise. Instead of a sleepy suburban town, the updated locale is Las Vegas, where Charley (Anton Yelchin) and his mom, a real estate agent (Toni Colette) live. The cast is rounded out by only as many characters as needed—the best friend (Christopher Mintz Plasse), the girlfriend (Imogen Poots), the “vampire hunter”/star magician (David Tennant) and his assistant, and of course, the vampire himself, Jerry (Colin Farrell). Both films have the same general premise—a teen believes his neighbor is a vampire and has trouble convincing his community of that fact, and enlists an outdated media star to help him.

Friday, August 19, 2011

Countdown to festival season


For me the excitement of festival season begins with the Toronto International Film Festival. I have never attended, just lurked on the internet to find news and look at its lineup, which will be available on August 23. I've also heard the celebrities there are pretty friendly.  Is anyone planning to attend this year, or any film recommendations from past years?

Wednesday, August 17, 2011

The Lincoln Lawyer

Here's another "based on a book" that I actually enjoyed, most likely because the author, Michasel Connelly, had a bit of a hand in it. This one stars Matthew McConnaughey. He plays a high priced L.A. lawyer Mickey Haller who, due to a high caseload, does a lot of business from his Lincoln car. Early on it is revealed that he lost his driver's license recently so has a chauffeur to drive him around. They go from court room to bail bonds office, and via phone he communicates with his office girl and his investigator (William H Macy). Many of his clients are the "wrong side of the tracks" kind of people.


Mickey is given a client lead from a bail bondsman (John Leguizamo). Louis (Ryan Phillippe), a son of a wealthy real estate agent (Frances Fisher), is accused of beating a woman he met at a bar. He claims he is the victim, that he was jumped when he went to her apartment. She claims he beat her and tried to rape/murder her. Mickey finds out salacious facts about the woman, so her case starts to appear like she is gold-digging for a big settlement. But soon he is also finding out facts about Louis and his mother too.

Josh Lucas plays the prosecuting lawyer (pretty good), Marisa Tomei is Mickey's amicable ex-wife (not used well except to provide support for Mickey, I was hoping she would have a bigger role in the case). Bryan Cranston (underused) and Michael Pare (too caricature) play cops associated with this case and an old case. Laurence Mason has a good small role as the streetwise chauffeur the drives Mickey around.

Snow Flower and the Secret Fan

Snow Flower and the Secret Fan is another movie based on a book. The filmmakers elected to add a modern day storyline to complement the historical story that takes place in the book. The plot involves two sets of women, played by the same two actresses (Li Bingbing as Nina/Lily and Gianna Jun as Sophia/Snow Flower), whose lifelong bond is tested when life's bad times affects them.
In the modern story, Nina's just found out her troubled friend Sophia was in an accident. As Sophia recovers Nina reads a manuscript Sohia has written that is based on her ancestor's life (Snow Flower). We travel back and forth between the modern story showing a falling out between Nina and Sophia, and the historical one, where two young girls Lily and Snow Flower are bonded and grow up as "litao," sort of like soul sisters. Although they spend much of their adult lives apart due to their different economic and social situations, they write each other using fans as their communication medium.

Supporting roles include Vivian Wu as Sophia's aunt and Russell Wong as Nina's boss.  Directed by Wayne Wang from a book by Lisa See.

The Help

I am not enamored of movies based on books, especially if I know that fact beforehand. The nature of movies is that they allow so much less time to depict the story that a lot of the book it is based on is not used. It is rare that a film measures up to or retains the sensibilities of the book it is based on. Also, films based on books are often of the top ten variety and that is not my normal reading material.

The Help is based on a book that I haven’t read. If you don’t already know what the topic of The Help is, in the mid-century Southern U.S., a young white woman Eugenia aka Skeeter (Emma Stone) is on her way to a “journalism” job—taking over a household cleaning advice column in the local paper. Among her circle of friends, Skeeter is the only one that is unmarried, despite her mother’s (Alison Janney) and friends’ attempts to set her up. Her friends include two married mothers, Elizabeth with two young children, and Hilly (Bryce Dallas Howard), the queen bee of their social circle. There is an outcast among them, Celia (Jessica Chastain), a sexpot the women believe stole Hilly’s lover and subsequently married him.

Past seven days

Here is a rundown of the movies I've watched these past seven days. Sometimes my brain is a little fried from the workweek and I am not in the mood to watch something new or with subtitles, hence several views of Singin' in the Rain and Edward Scissorhands.

50/50
Edward Scissorhands
Final Destination 5
Late Bloomers
Pirate Radio
Singin' in the Rain
The Concert
The Help
The Quick and the Dead (Sam Raimi)

50/50

It is rare that I go into a film knowing nothing about it. I habitually read up on movies that interest me to see if it is worth my dollars, whether it is for the movie theatre or a DVD rental, or not worth my time. Like many other people I hear about movies far in advance via the internet, and put them on my plate to seek out news as it gets closer to the film’s release date.


50/50 falls into the “know nothing” category. All I really knew of it was the poster, with Joseph Gordon-Levitt shaving his head while a shocked Seth Rogen looks on in the background. My assumptions were that it was a male-based comedy, perhaps with some juvenile hijinks unbefitting the ages of the characters.

Attack the Block

I think it's hard these days to create a new movie monster that is original and frightening. Movies such as Super 8 and Cloverfield disappointed me in how the monster behaved and looked, and they didn't scare me much.  It was a letdown at the end of each of those movies.

A "block" is an apartment building, in this case a sort of low income/bad neighborhood type. In Attack the Block, a disparate group of characters who live in the same apartment block have to help each other when alien creatures land. The movie starts off with a nurse, Sam (Jodie Whitaker) being mugged by some teenagers headed by Moses (John Boyega). While this is happening, a comet or something destroys a car next to them and Sam escapes. The boys find a mysterious creature in the car, and thinks it is some undiscovered mammal, so they take it to a marijuana dealer who lives in their block, since they believe he has a secured apartment.

Pirate Radio

Pirate Radio is well-cast. From what I’ve seen some of these other actors in, they all seem to play characters very similar to their body of work or their personality. The story takes place in the 1960s when illicit radio stations based on boats off the coast of Britain broadcast rock and roll music to the masses. Cards tell us that half the British population were fans, and from what we see in the film, 95% of them seem to be female (of which 1% seem to be lesbian, 1% seem to be frigid, and 98% seem to be starved for sex).

Tuesday, August 16, 2011

The Concert

I kind of have a bias against certain genres of films. Romantic comedies need to rise above its generic template to offer me some interesting characters or some true soul searching, so that I don't come away from the theatre sneering at the dumb characters or cookie cutter plot. "Feel good" stories too also need to break away from its melodramatic and expected ending.

Despite its dramatic elements, I think The Concert is a feel good film. It begins almost like it was made in the 1930s, in a "let's get the old gang together and put on a show" plot.

Friday, August 12, 2011

Women authors into film

Women authors have been adapted in a lot of great films, and no, I don’t mean JK Rowling or Stephenie whats-her-name. Check out some of the adaptations of these great women!

Kick-Ass

Kick-Ass is a new take on a superhero film. Instead of greatness being thrust upon them, some people decide to create their own greatness despite not having any superhero powers.

The teenage nerd Dave (Aaron Johnson) wonders with his other comic book reading friends, since superheroes are so popular, why no one has tried to be one in real life? He takes his idea and makes it reality, becoming the ninja-like Kick-Ass, a superhero who battles bad guys with batons. But even under the costume, Dave finds his natural fear often takes over and at first his attempts are unsuccessful. He does eventually save a man and becomes an internet sensation.

Spine-Tingler! The William Castle Story

Joe Dante's film Matinee stars a character, played by John Goodman, that is probably an homage to its real life counterpart, William Castle. Castle was a filmmaker in the 1950-60s that used viral campaigns to lure theatre-goers to his B or C grade science fiction and horror films. He used things like insurance against death, real nurses in the lobby to tend to fainting moviegoers, early 3-D, contests, and visual gimmicks. He also wanted to be a serious filmmaker, and the closest he got was producing Rosemary's Baby, a film he actually wanted to direct (and as we all know that task went to Roman Polanski). If William Castle sounds intriguing, I suggest you check out Spine Tingler! The William Castle Story. Even I had no idea who he was and he was still a fascinating subject.

The commentary track with the filmmaker and Castle's daughter speculated what he could have done with today's technology--internet, social media, mobile, apps, etc.

Spine Tingler is part of a set of William Castle DVDs issued recently. It contains 8 of his films from the 1960s and I hear they all have some good extra features.

And while you're at it, check out Matinee too, it is pretty funny and old-fashioned scary, and co-stars Omri Katz, a good kid actor who's since dropped out of Hollywood.

Twenty Four Eyes

For me Japanese films can be a bit obscure due to the culture difference. They also have a wacky sense of comedy and their horror seems often based on reality that is it more than terrifying.

The sweet and accessible Twenty Four Eyes is a very sentimental yet deeply emotional Japanese take on a Mr. Chips type story. During WW2, a young teacher bonds with her class of children, the "twenty four eyes" whose lives she follows through a couple decades, with many personally tragic stories.

Pontypool

Although sometimes I dismiss horror movies or romantic comedies as unoriginal and sticking to formula, sometimes I find one that is fresh and new. This one, Pontypool, poses a new form of horror--words.

Point Blank (French film)

Not the one starring Lee Marvin, this one involves a male nurse who is strongarmed into helping a criminal break out of a hospital. The bad guys kidnap his pregnant wife to motivate him, thus putting an average guy into a situation he is unused to.

Friends with Benefits vs. No Strings Attached

I thought I'd compare two similarly themed romantic comedies, one which is still on current screens.

Final Destination 5

I am not really a fan of these franchise horror movies.  For the most part they go for the gore rather than the story.  There are audiences for that type of film I guess, I am just not among them.  But having seen two of these films I can see how it is pretty tongue in cheek in the way it has fun with the splatter and special effects--as that is all this film series is about--and not the narrative story that surrounds it.

Wednesday, August 10, 2011

The Character Project

Did you catch this when it came to your big city? The cable channel USA was promoting their tag line "Characters Welcome" by showing short films by different filmmakers, based on interesting characters, with sponsorship from professional filmmakers Ridley and Tony Scott. (In 2009 USA did a photo project.) The films were shown in a handful of major US cities and screened in shipping containers (the kind you see on trains and 18-wheelers). In Chicago this took place in the plaza at the John Hancock Tower. Since audience people would come and go, everyone got to decide what to watch next so I didn't get to watch all 8 there, just 6. 
Here's what I thought of what I saw:

The Story of the Weeping Camel

This is not exactly a documentary and not exactly a narrative film. It takes place in the Gobi Desert and focues on a nomadic Mongolian family. A man enters the frame and tells us an old folk tale about a camel constantly seeking the horizon.

Cave of Forgotten Dreams

I don't know if this film is still playing in theatres where you are, but I highly recommend you watch in on the big screen in 3-D rather than on DVD. It is truly the only 3-D film I have watched that uses it effectively and not gratuitiously.

Walt and El Grupo

So many films, so little time!  Despite my efforts to watch a film a day, so much is released and re-released and rediscovered every day!  I love it that the industry loves itself to seek out and re-release old stuff.  This is neither here nor there to a documentary I watched a few months ago, Walt and El Grupo, but just a comment that I am trying to watch more old fims and documentaries.

Postville

I recently borrowed a DVD of this documentary from the library at about the same time I heard of a new documentary on the same topic.


The Pruitt-Igoe Myth: An Urban History

I recently watched The Pruitt Igoe Myth: An Urban History. It is about a complex of housing projects in St. Louis, built in the 50s but demolished in the 70s. It started out as a well-meaning option for low-income families to live in the city but degenerated into a segregation of the city's poor black population, with high drug crime and vandalism. Although the film only retells the story and doesn't offer any solutions, it does depict the hard-to-answer problem of housing the urban poor. I can see many similarities between this and the housing projects in Chicago, where I am from--most notably Cabrini-Green, which had many of the same problems but is going through a, hopefully successful, renewal.

Sarah's Key

This film stars Kristin Scott Thomas, whom I seriously see in more French films than English ones nowadays; I think this is growing on me. Based on a bestselling book, the movie begins in the era of World War 2, where young Jewish Sarah’s family is broken up in a raid. She has a key to a secret room where her little brother hides during the raid. He is separated from the family and Sarah anguishes over this and does what she can as a small girl to return to him.

In the present, Julia (Scott Thomas), a magazine writer, discovers some of Sarah’s story, and how it relates to her (Julia’s) French husband’s family, who currently own the apartment Sarah once lived in. She hunts down historical records and speaks to people who don’t want to say anything to her, and eventually finds out what happens to Sarah’s family. Aidan Quinn has a small part.

While Scott Thomas does a good job, I found this story of the best-selling book vein, that is, grand and historic top ten list type of stuff, which is not my thing. More of the past events involving Sarah and the years when she grows up need to be shown to us, and not just serve as a backdrop to Julia's search. The film does remind us how the French, not just Germans, persecuted the Jews, which is not often depicted in pop culture.

Small Town Murder Songs

I can see why the movie industry is worried about the timing of film releases in relation to the DVD and online market. I had read of this film pretty recently in a New York Times review where it was playing locally and put this on my Netflix list as a reminder to seek it out later when I hoped it came to my town, Chicago.

To my surprise, Netflix listed the film as available on DVD shortly afterwards.

Cowboys & Aliens

Cowboys and Aliens I think starts out promising with the mashup of genres, but by the end, the cool stuff--cowboys and aliens--evolves into standard action picture.

Past seven days: Part 3

Here's part three:

Reef Hunters
Rise of the Planet of the Apes
Romantics Anonymous
Run, Fatboy, Run
Sarah’s Key
Small Town Murder Songs
Snow Flower and the Secret Fan
The Best of Times

Whew!  That's it!

Past seven days: Part 2

Part two of my past 30-something days list:

Love in a Cold Climate
Macbeth (starring Sam Worthington)
Magnolia
Meet Monica Velour
Midnight in Paris
Moon Over Broadway
My Mexican Shiva
Noodle
Plan B
Point Blank (2010 French movie)
Postville

Past seven days: Part 1

I'd usually have a "past seven days" post listing out the movies I've watched in theatres or on DVD, but it's been a month since I last submitted a list! Here instead is a "past 30-something days" post. If anyone would like a review just let me know.

Part one follows:

Animal Kingdom
Another Earth
Berlin Express
Body Heat
Carla’s Song
Cowboys & Aliens
Cronos
Desert Hearts
Echoes of the Rainbow
Friends with Benefits
Genghis Blues

Midnight in Paris

I thought I'd give Midnight in Paris a try because I like the early Woody Allen works such as Radio Days and The Purple Rose of Cairo. His recent stuff hasn't appealed to me as they don't feel very "worthy" of the supposed high reputation he has garnered over the years.  I feel like they have been a variation on the same topic--a younger and often naive woman is attracted to an older man, sometimes to the point of adoration--and because the films are star-studded, they feel like a modern day version of the TV show The Love Boat.

Warrior

The very generic male-oriented title and the film's basic premise didn't have me very hot on this film, despite starring two actors I like, Joel Edgerton and Tom Hardy. In fact I had seen the poster before but had not searched it out thinking it was a male-oriented story with more focus on action and violence than a real story, which it is to some extent.

The plot has several elements that are very recognizable in film, such as the "good" son and the "bad" son, children from a broken home who grow up angry at their father, brothers who are different and find they end up in a competition, where they play out their resentments.

Nick Nolte plays Paddy Conlon, a recovering alcoholic living alone. He has burned bridges with his sons, favoring Tommy (Hardy) over Brendon (Edgerton), although Brendon was the one who stayed with him when he divorced their mother. Both are angry at him as well as each other. They all have a boxing background.

Brendon is a teacher with mortgage problems so takes amateur fights on the side, not telling his wife; he gets in trouble at school because of this. Tommy returns to town and gets back into boxing (the type that involves kicking and wrestling type moves as well as the normal punching--pretty much anything goes). Tommy convinces Paddy to be his trainer, and a manager at a boxing club agrees to help Tommy get into a $5 million purse boxing match called Sparta.

Brendon decides to enter this contest with the help of a friend who owns a boxing club too, one that is more holistic in its mindset. Meanwhile, Tommy is recognized in a YouTube video as a heroic Marine, but has shunned that exposure.

The very ordinary plot somehow works due to the acting of the three leads, helped by a big sports-inspirational story and patriotic score. Obviously there is little suspense that the two brothers eventually will fight against each other in the competition, although the film shows us two nemeses they have to go up against first. Tommy's fights are short so we don't see as much determination and stamina as in Brendon, who has to pull out every little smidge of strength and endurance he has, since he is a less brutal fighter. It is a matter of how each of the two characters approach the sport, as well as their life--Tommy is the sprinter going hard and fast, while Brendon is the slow and steady marathoner who looks into the future.

Nick Nolte also gives a good performance in the first parts of the film as a broken dad sincerely trying to patch up his life and facing up to the anger of his sons, but his character doesn't get much screen time near the end during the competition where the fight action ramps up. This part needed more of a resolution for the three guys, and not just for the two brothers. Paddy listens to books on tape of Moby Dick, which is an obvious reference to his life.

The choppy camera work during the fights I wished were a little less up close and less handheld to see what was going on. I think more smoothly filmed full body shots of the fights would make it easier to understand the action of the fight, although I could feel anxiety in the audience. There was a lot of testosterone on screen, I am not kidding.

The Devil's Double

Dominic Cooper takes on a dual role as Uday Hussein and his double Latif Yahia.

Latif protests of course, knowing Uday's reputation and facing the loss of liberty and detachment from his family. Many veiled and direct threats are made against his family and Uday thinks perks such as sharing in his women, wealth and power, can convince Latif to take the job. Ultimately Latif really has no choice. Uday cautions Latif to just not go after the same women he wants. Currently this is Sarrab (Ludivigne Sagnier) who is resigned to a life of sex and partying with Uday, but with few rights or independence.

The film shows Latif

Rise of the Planet of the Apes

I vaguely had heard about this movie but did not seek out any info on it, thinking it would be a weak rehash/remake of the old movies. From what the movie showed I guess this is a prequel, since there are callbacks and references to the original PoTA. I did not see the updated version starring Mark Wahlberg and I can't believe it has been ten years since that version came out!

In this version, James Franco plays a bio researcher, Will. He is developing what he hopes is a cure or treatment for Alzheimers, which his father (John Lithgow) suffers from. Will experiments on a female chimp, named Bright Eyes,